How to Save as a JPG in Photoshop CS4
Adobe Photoshop is the leading graphics editing software for visual design professionals. It allows users to view, create and edit graphics files by generating text and shapes, adjusting image properties, and adding a wide range of filters and effects. The program also supports the saving of files in a host of formats, including PNG, TIFF, PDF and its native PSD format. Saving an image to JPEG format is also quick and easy using Photoshop CS4.
- Open Adobe Photoshop CS4.
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Step 2
Click “File” in the top menu bar and select “Open.”
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Step 3
Locate the file you want to save as a JPEG. Double-click its icon to open the file in Photoshop.
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Step 4
Click “File” in the top menu bar and select “Save As.”
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Step 5
Choose a save location for the file, give it a name in the “File name” field and choose your save options by checking the appropriate boxes near the bottom of the dialog box.
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Step 6
Click the “Format” drop-down menu and select the “JPEG” option.
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Step 7
Press the “Save” button.
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Step 8
Specify your desired matte, image quality and format options in the resulting dialog box, and then click “OK.” Your image file has been saved in JPEG format.
How to Add a Mat in Photoshop Cs4
Adobe Photoshop CS4 includes useful tools to create matte regions in an image. A matte can be used to replace an area from one image with another image. This effect is frequently used in motion pictures when actors are filmed over solid color backgrounds (usually blue or green) that are replaced with computer generated scenes. With still photography or graphic design, mattes are used to create digital backdrops or complex graphic effects. The following steps will help you create a simple matte from an existing photo image.
- Open Adobe Photoshop CS4 and create a new file by selecting “File” then “New” from the menu. Name the file “Matte Example.” The size of the file should be the same as the picture you want to add to the matte. Make sure “Background Contents” is set to “Transparent.”
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Step 2
Open the photograph file you want to use to create the matte. The ideal picture should feature a well defined subject over a plain background. Open the photo image in Photoshop by selecting “File” then “Open” from the menu.
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Step 3
Select the Matte Example file created in Step 1 and select “Layer,” then “New,” then “Layer” from the menu.
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Step 4
From your photo image file, click “Select” and “All” then “Edit” and “Copy” from the menu. Select the Matte Example file, then click “Edit” and “Paste” to copy the picture into the new layer you created from the previous step. Your Matte Example file should now have two layers: a transparent background and a foreground layer with your photo image.
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Step 5
Outline the subject in your photograph using the Lasso Tool. Select the Lasso Tool by pressing the “L” key. Carefully trace the outline of the subject by using your mouse to drag the Lasso Tool around the subject. Complete the Lasso selection by releasing the mouse button when finished.
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Step 6
Select “Layer” then “Layer Mask” and “Reveal Selection” to remove the background of the photo image and reveal the transparent background. You have created a matte where the background of the photo image was.
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Use other Lasso Tools by clicking the small triangle in the lower right corner of the Lasso Tool icon from the tools tab. The Magnetic and Polygonal Lasso tools offer special characteristics that aid in outlining your subject. The Magnetic Lasso Tool, for example, allows the Lasso tool to “stick” to your subject providing there is sufficient contrast from the background.
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If you want to use your subject to create the matte, instead of the background, select “Hide Selection” from the Layer Mask menu. The area that contains your subject is now removed to reveal the transparent layer.
How to Fade One Layer into Another in Adobe Photoshop
Adobe Photoshop is a great tool to alter images to any specification of your choosing. Besides altering the photo you can also blend photos and fade one image into another. In this tutorial I will show you how to fade one image into another with Adobe Photoshop CS4.
- Launch Adobe Photoshop CS4 and load an image that you are going to use. The image can be be anything you want.
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Step 2
Create a new layer by selectin Layer from the main menu at the top, then New from the submenu then layer from the third menu, or you could press the “SHIFT+CTRL+N” key combination, or you can simply click the new layer icon in the layers panel as circled in the photo associated with this step.
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Step 3
Hide the image layer (the image you loaded originally) by clicking the eyeball icon next to in your layers panel as shown in the picture.
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Step 4
With the blank new layer selected, select Edit from the main menu at the top and then select Fill as shown in the picture.
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Step 5
When the fill window appears, select “black” from the “use” dropdown box in the “contents” frame, and type in “75″ for “Opacity” in the blending frame.
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Step 6
Show your originally image by click the box where the eyeball icon use to be and you will see that the image has faded through the black fill. If you have an image on the fill layer instead of it being all black, you would see the one image fading into the other.
How to Add a Blur Affect to an Image in Adobe Photoshop CS4
The blur affect in Adobe Photoshop CS4 is just another means by which to spruce up or add something different your project. There are a variety of blurs you can add. Once you learn how to add one you can use the same method to add all of them. In this tutorial we are going to load an existing image and apply a gausian blur affect to it. Here is how you add a blur affect to an image in Adobe Photoshop CS4.
- Launch Adobe Photoshop CS4 and open an existing image to work with. Make sure you make a copy of it in the event you save your work by accident and are unable to undo the affects you have applied.
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Step 2
Unlock the image file layer by double clicking on its thumbnail in the layers panel and selecting ok on the window that appears.
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Step 3
With your image layer selected, click from the main menu at the top “Filter” then on the submenu select “Blur” and on the third menu that appears you can choose any type of blur affect, however for this tutorial I am using “gaussian Blur”.
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Step 4
Finally set the amount of blur you want to see in your photo by increasing or decreasing the radius. For my example I chose 6.1 which creates .
How to Brighten Eyes with Adobe Photoshop CS
One of the easiest ways to make a face really stand out in a photograph is to brighten the subject’s eyes. This is a quick and simple photo retouch used by professionals. You can use this technique on any animal eyes in pictures. Here we begin.
- Have a prepared picture with “eyes”. Launch Photoshop and open that picture in the program.
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Next, duplicate background layer. Change “blending” mode of the new layer to Screen.
With the layer still highlighted, go to Layer > Layer Mask > Hide All.
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Step 3
Select the Layer Mask. Select a paintbrush and choose “white” for the paint color. Paint over the eyes, make sure the Screen layer is exposed.
If you accidentally paint outside the eyeball, change your paintbrush color to black then paint over the overlapping area.
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Step 4
With both eyes exposed, lower the opacity of the layer to 45%. If the eyes are still too bright, take the opacity a little lower to 30%, and so on.
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Step 5
If the pupils look unnatural with the overlay, select Layer Mask and set your foreground color to black. Next, choose the paintbrush tool and resize the brush to a smaller one of the irises. Drag and hold your cursor directly over the iris of the eye, click once.
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Step 6
Go to Edit > Fade Brush Tool before you go to anything else. Drop the opacity to around 70% to bring back some of the original lightness. Adjust lightness accordingly to your taste or until the eye looks natural to you. Click OK. Repeat process for the other eye.
Save your file in the end of session.
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Step 7
This technique is quick and effective. You will find that it becomes even easier after you practice a few times. You can use these instructions on almost any photographs where the subject’s eyes are present.